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ask2PFemNetherlands

regretfully they tell us,
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Once upon a time, some Dutch hunters went to Africa, hoping to capture a whole family of lions. In this they succeeded. With a pack of hounds and plenty of aborigines to poke the jungle with sticks, they drove a big male lion, with his wife and four whelps, out of the undergrowth into a circle. In the centre, they had dug a pit and covered it over with sticks and grass. Into this, the whole lion family tumbled. Then, by nets and ropes, the big, fierce creatures and the little cubs were lifted out. They were put in cages and brought to Holland. The baby lions, no bigger than pug dogs, were as pretty and harmless as kittens. The sailors delighted to play with them.

Now lions, even before one was ever seen among the Dutch, enjoyed a great reputation for strength, courage, dignity and power. It was believed that they had all the traits of character supposed to belong to kings, and which boys like to possess. Many fathers had named their sons Leo, which is Latin for lion. Dutch daddies had their baby boys christened with the name of Leeuw, which is their word for the king of beasts.

Before lions were brought from the hot countries into colder lands, the bear and wolf were most admired; because, besides possessing plenty of fur, as well as great claws and terrible teeth, they had great courage. For these reasons, many royal and common folks had taken the wolf and bear as namesakes for their hopeful sons.

But the male lion could make more noise than wolves, for he could roar, while they could only howl. He had a shaggy mane and a very long tail. This had a nail at the end, for scratching and combing out his hair, when tangled up. If he were angry, the mighty brute could stick out his red tongue, curled like a pump handle, and nearly half a yard long.

So the lion was called the king of beasts, and the crowned rulers and knights took him as their emblem. They had pictures of the huge creature painted on their flags, shields and armor. Sometimes they stuck a gold or brass lion on their iron war hats, which they called helmets. No knight was allowed to have more than one lion on his shield, but kings might have three or four, or even a whole menagerie of meat-eating creatures. These painted or sculptured lions were in all sorts of action, running, walking, standing up and looking behind or before.

Now there was a Dutch artist, who noticed what funny fellows kings were, and how they liked to have all sorts of beasts and birds of prey, and sea creatures that devour, on their banners. There were dragons, two-headed eagles, boars with tusks, serpents with fangs, hawks, griffins, wyverns, lions, dragons and dragon-lions, besides horses with wings, mermaids with scaly tails, and even night mares that went flying through the dark. With such a funny variety of beast, bird, and fish, some wondered why there were not cows with two tails, cats with two noses, rams with four horns, and creatures that were half veal and half mutton. He noticed that kings did not care much for tame, quiet, peaceable, or useful creatures, such as oxen or horses, doves or sheep; but only for those brutes that hunt and kill the more defenceless creatures.

Since, then, kings of the country must have a lion, the artist resolved to make a new one. He would have some fun, at any rate.

So as painter or sculptor select men and women to pose for them in their study as their heroes and heroines, and just as they picture plump little boys and girls as cherubs and angels, so the Dutchman would make of the cubs and the father beast of prey his models for coats of arms.

Poor lions! They did not know, but they soon found out how tiresome it was to pose. They must hold their paws up, down, sideways or behind, according as they were told. They must stand or kneel, for a long time, in awkward positions. They must stick out their tongues to full length, walk on their hind legs, twist their necks, to one side or the other, look forward or backward, and in many tiresome ways do just as they were ordered. They must also make of their tails every sort of use, whether to wrap around posts or bundles, to stick out of their cage, or put between their legs, as they ran away, or to whisk them around, as they roared; or hoist them up high when rampant.

In some cases, they were expected, even, to put on spectacles, and pretend to be reading, to hold in their paws books and scrolls, or town arms, or shop signs. They must pose, not only as companions of Daniel, in the lions' den at Babylon, which was proper; but also to sit, as companion of St. Mark, and even to stand on their legs on the top of a high column, without falling off.

In a word, this artist belonged to the college of heralds, and he introduced the king of beasts into Dutch heraldry.

So from that day forth, the life of that family of African lions, from the daddy to the youngest cub, was made a burden. When at home in the jungle and even in the cage, the father lion's favorite position was that of lolling on one side, with his paws stretched out, and half asleep and all day, until he went out, towards dark, to hunt. Now, he must stand up, nearly all day. Daddy lion had to do most of the posing, until the poor beast's front legs and paws were weary with standing so long. Moreover, the hair was all worn off his body at the place where he had to sit on the hard wooden floor. He must do all this, on penalty of being punched with a red hot poker, if he refused. A charcoal furnace and long andirons were kept near by, and these were attended to by a Dutch boy. Or, it might be that the whole family of lions were not allowed to have any dinner till Daddy obeyed and did what he was told, though often with a snarl or a roar.

First, Leo must rise upon his hind legs and look in front of him. This posture was not hard, for in his native jungle, he had often thus obtained a breakfast of venison for his wife and family. But oh, to stand a half hour on two legs only, when he had four, and would gladly have used all of them, was hard. Yet this was the position, called "the lion rampant," which kings liked best.

But the king's uncles, nephews, nieces, cousins, and his wife's relations generally, every one of them, wanted a lion on his or her stationery and pocket handkerchiefs, as well as on their shields and flags. So the old lion was tortured—the hot poker being always in sight—and he was made to take a great variety of positions. The artist called out to Leo, just as a driver says to his cart horse, "whoa," "get up," "golong," etc. When he yelled in this fashion, the lion had to obey.

Pretty soon lions in heraldry, on flags, armor, town arms, family crests and city seals became all the fashion. The whole country went lion-mad. There were lions carved in stone, wood and iron, and every sort and kind, possible or impossible. Some of them seemed to be engaged in a variety of tricks, as if they belonged to a circus, or were having a holiday. They laughed, giggled, yawned, stuck out their tongues, held boards for hotels, bundles for the shopkeepers, or barrels for beer halls, and made excellent shop signs, which the boys and girls enjoyed looking at.

Mrs. Leo was not in much demand, for Mr. Leo did not approve of his wife's appearing in public. She was kept busy in taking care of her cubs. Daddy Lion had to do multiple work for his family, until the cubs were grown. Yet long before this time had come, their Dad had died and been stuffed for a museum. How this first king of beasts in the Netherlands came to his untimely end was on this wise.

Not satisfied with posing Leo in every posture, and with all possible gestures, his master, the artist, wanted him to look "heraldical"; that is, like some of the mythical beasts that were combinations of any and all creatures having fins, fur, feathers, or scales, such as the dragon or griffin. One day, he attempted to make out of a live lion a fanciful creature of curlicues and curliewurlies. So he strapped the lion down, and used a curling iron on his mane until he looked like a bearded bull of Babylon. Then he combed out, and, with curl papers, twisted the long line of hair, which is seen in front of Leo's stomach. In like manner, he treated the bunches of hair that grow over the animal's kneepans and elbows. Last of all, he took a hair brush, and smoothed out the tuft, at the end of the animal's long tail. Then the artist made a picture of him in this condition, all curled and rich in ringlets, like a dandy.

By this time, the father of the lion family looked as if he had come out fresh from a hairdresser's parlor. Indeed, Mrs. Leo was so struck with her husband's appearance, that she immediately licked her cubs all over, until their fur shone, so they should look like their father. Then, having used her tongue as a comb, to make her own skin smooth and glossy, she completed the job by using the nail in her tail, to do the finishing work. Altogether, this was the curliest family of lions ever seen, and Daddy Leo appeared to be the funniest curly-headed and curly-bodied lion ever seen. In fact he was all curls, from head to tail.

Notwithstanding all his pains, the artist was not yet satisfied with his job. He wanted a circle of long hair to grow in the middle of the lion's tail. His curly lion should beat all creation, and in this way he proceeded.

His own daughter, being a young lady and having some trouble of the throat, the doctor had ordered medicine for the girl, charging her not to spill any drops of the liquid on her face, or clothes.

But, in giving the dose, either the mother, or the daughter, was careless. At that very moment the cat ran across the room, after the mouse, and just as she held the spoon to her mouth, Puss got twisted in her skirts. So most of the medicine splashed upon her upper lip and then ran down to her chin, on either side of her mouth. She laughed over the spill, wiped off the liquid, and thought no more of the matter.

But a week later, she was astonished. On waking, she looked in the glass, only to shrink back in horror. On her face had grown both moustaches and a beard. True, both were rather downy, but still they were black; and, until the barber came, and shaved off the growth, she was a bearded woman. Yet, strange to tell, after one or two shaves by the barber, no more hair grew again on her face, which was smooth again.

"By Saint Servatus! I'll make a fortune on this," cried the artist, when he saw his daughter's hairy face.

So, he sold his secret to a druggist, and this man made an ointment, giving it a Chinese name, meaning "beard-grower." This wonderful medicine, as his sign declared, would "force the growth of luxuriant moustaches and a beard, on the smoothest face of any young man," who should buy and apply it.

Soon the whole town rang with the news of the wonderful discovery. The druggist sold out his stock, in two days, to happy purchasers. Other young fellows, that wanted to outrival their companions, had to wait a fortnight for the new medicine to be made. By that time, a full crop of downy hair had come out on the cheeks and chin and upper lip of many a youth. Some, who had been trying for years to raise moustaches, in order duly to impress the girls, to whom they were making love, were now jubilant. In several cases, a lover was able to cut out his rival and win the maid he wanted. Several courtings were hastened and became genuine matches, because a face, long very smooth, and like a desert as to hair, bore a promising crop. Beard and cheeks had at last met together. So the new medicine was called a "match-maker."

The artist rubbed his hands in glee, at the prospect of a fortune. He argued that if the wonderful ointment made beards for men, it must be good for lions also. So again, Daddy Lion was coerced by the threat of the hot poker. Then his tail was seized, and, by means of a rope, tied to a post on one side of the cage, he was held fast. Then the artist anointed about six inches of the middle of the smooth tail with the magic liquid. For fear the lion might lick it off, the poor beast was held in this tiresome position for a whole week, so that he could not turn round, and he nearly died of fatigue.

But it happened to the lion's tail, as it did with the young men's chins, cheeks and upper lips. A beard did indeed grow, but once shaved off—and many did shave, thinking to promote greater growth--no more hair ever appeared again. The ointment forced a downy growth but it killed the roots of the hair.

A worse fate befell the lion. A crop of hair, perhaps an inch longer than common, grew out. But this time, the bad medicine, which had deceived men, and was unfit for lions, struck in.

From this cause, added to nervous prostration, old Leo fell dead. As lion fathers go, he was a good one, and his widow and children mourned for him. He had never once, however hungry, tried to eat up his cubs, which was something in his favor.

Soon after these exploits, the old artist died also. His son, hearing there was still a demand, among kings, for lions, and those especially with centre curls in their tails, took the most promising of the whelps and petted and fed him well. In the seventh year, when his mane and elbow and knee hair had grown out, this cub was mated to a young lioness of like promise. When, of this couple, a male whelp was born, it was found that in due time its knees, elbows, tail-tuft, and the front of its body were all rich in furry growth. In the middle of its tail, also, thick ringlets, several inches long, were growing. Evidently, the hair tonic had done some good. So this one became the father of all the curly-tailed lions in the Netherlands. Not only was this lion, thus distinguished for so novel an ornament, copied into heraldry, but it adorned many city seals and town arms. In time, the lion of the Netherlands was pictured with a crown on its head, a sword in its right hand, a bundle of seven arrows—in token of a union of seven states—and, still later, the new Order of the Netherlands Lion was founded. The original curly lion, with long hair in the middle of its tail, boasts of a long line of descendants that are proud of their ancestor.

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Long, long ago, there were brave fighters and skilful hunters in Holland, but neither men nor women ever dreamed that food was to be got out of the ground, but only from the trees and bushes, such as berries, acorns and honey. They thought the crust of the earth was too hard to be broken up for seed, even if they knew what grain and bread were. They supposed that what nature provided in the forest was the only food for men. Besides this, they made their women do all the work and cook the acorns and brew the honey into mead, while they went out to fish and hunt and fight.

So the fairies took pity on the cold, northern people, who lived where it rained and snowed a great deal. They held a council and agreed that it was time to send down to the earth an animal, with tusks, to tear up the ground. Then the people would see the riches of the earth and learn what soil was. They would be blessed with farms and gardens, barns and stalls, hay and grain, horses and cattle, wheat and barley, pigs and clover.

Now there were powerful fairies, of a certain kind, who lived in a Happy Land far, far away, who had charge of everything in the air and water. One of them was named Fro, who became lord of the summer sunshine and warm showers, that make all things grow. It was in this bright region that the white elves lived.

It was a pretty custom in fairy-land that when a fairy baby cut its first tooth, the mother's friends should make the little one some pretty present.

When Nerthus, the mother of the infant Fro, looked into its mouth and saw the little white thing that had come up through the baby's gums, she went in great glee and told the glad news to all the other fairies. It was a great event and she tried to guess what present her wonderful boy-baby should receive.

There was one giant-like fairy as strong as a polar bear, who agreed to get, for little Fro, a creature that could put his nose under the sod and root up the ground. In this way he would show men what the earth, just under its surface, contained, without their going into mines and caverns.

One day this giant fairy heard two stout dwarfs talking loudly in the region under the earth. They were boasting as to which could beat the other at the fire and bellows, for both were blacksmiths. One was the king of the dwarfs, who made a bet that he could excel the other. So he set them to work as rivals, while a third dwarf worked the bellows. The dwarf-king threw some gold in the flames to melt; but, fearing he might not win the bet, he went away to get other fairies to help him. He told the bellows dwarf to keep on pumping air on the fire, no matter what might happen to him.

So when one giant fairy, in the form of a gadfly, flew at him, and bit him in the hand, the bellows-blower did not stop for the pain, but kept on until the fire roared loudly, as to make the cavern echo. Then all the gold melted and could be transformed. As soon as the dwarf-king came back, the bellows-blower took up the tongs and drew out of the fire a boar having golden bristles.

This fire-born golden boar had the power of travelling through the air as swiftly as a streak of lightning. It was named Gullin, or Golden, and was given to the fairy Fro, and he, when grown, used the wonderful creature as his steed. All the other good fairies and the elves rejoiced, because men on the earth would now be helped to do great things.

Even more wonderful to tell, this fire-born creature became the father of all the animals that have tusks and that roam in the woods. A tusk is a big tooth, of which the hardest and sharpest part grows, long and sharp, outside of the mouth and it stays there, even when the mouth is shut.

When Gullin was not occupied, or being ridden by Fro on his errands over the world, he taught his sons, that is, the wild boars of the forest, how to root up the ground and make it soft for things to grow in. Then his master Fro sent the sunbeams and the warm showers to make the turned-up earth fruitful.

To do this, the wild boars were given two long tusks, as pointed as needles and sharp as knives. With one sweep of his head a boar could rip open a dog or a wolf, a bull or a bear, or furrow the earth like a ploughshare.

Now there were several cousins in the Tusk family. The elephant on land, and the walrus and narwhal in the seas; but none of these could plough ground, but because the boar's tusks grew out so long and were so sharp, and hooked at the end, it could tear open the earth's hard crust and root up the ground. This made a soil fit for tender plants to grow in, and even the wild flowers sprang up in them.

All this, when they first noticed it, was very wonderful to human beings. The children called one to the other to come and see the unusual sight. The little troughs, made first by the ripping of the boar's tusks, were widened by rooting with their snouts. These were welcomed by the birds, for they hopped into the lines thus made, to feed on the worms. So the birds, supposing that these little gutters in the ground were made especially for them, made great friends with the boars. They would even perch near by, or fly to their backs, and ride on them.

As for the men fathers, when they looked at the clods and the loose earth thus turned over, they found them to be very soft. So the women and girls were able to break them up with their sticks. Then the seeds, dropped by the birds that came flying back every spring time, from far-away lands, sprouted. It was noticed that new kinds of plants grew up, which had stalks. In the heads or ears of these were a hundredfold more seeds. When the children tasted them, they found, to their delight, that the little grains were good to eat. They swallowed them whole, they roasted them at the fire, or they pounded them with stones. Then they baked the meal thus made or made it into mush, eating it with honey.

For the first time people in the Dutch world had bread. When they added the honey, brought by the bees, they had sweet cakes with mead. Then, saving the seeds over, from one summer to another, they in the spring time planted them in the little trenches made by the animal's tusks. Then the Dutch words for "boar" and "row" were put together, meaning boar row, and there issued, in time, our word "furrow."

The women were the first to become skilful in baking. In the beginning they used hot stones on which to lay the lump of meal, or flour and water, or the batter. Then having learned about yeast, which "raised" the flour, that is, lifted it up, with gas and bubbles, they made real bread and cakes and baked them in the ovens which the men had made. When they put a slice of meat between upper and lower layers of bread, they called it "broodje," that is, little bread; or, sandwich. In time, instead of one kind of bread, or cake, they had a dozen or twenty different sorts, besides griddle cakes and waffles.

Now when the wise men of the mark, or neighborhood, saw that the women did such wonderful things, they put their heads together and said one to the other:

"We are quite ready to confess that fairies, and elves, and even the kabouters are smarter than we are. Our women, also, are certainly wonderful; but it will never do to let the boars think that they know more than we do. They did indeed teach us how to make furrows, and the birds brought us grain; but we are the greater, for we can hunt and kill the boars with our spears.

"Although they can tear up the sod and root in the ground with tusk and snout, they cannot make cakes, as our women can. So let us see if we cannot beat both the boars and birds, and even excel our women. We shall be more like the fairies, if we invent something that will outshine them all."

So they thought and planned, and, little by little, they made the plough. First, with a sharp stick in their hands, the men scratched the surface of the ground into lines that were not very deep. Then they nailed plates of iron on those sticks. Next, they fixed this iron-shod wood in a frame to be pulled forward, and, by and by, they added handles. Men and women, harnessed together, pulled the plough. Indeed it was ages before they had oxen to do this heavy work for them. At last the perfect plough was seen. It had a knife in front to cut the clods, a coulter, a beam, a mould board and handles, and, after a while, a wheel to keep it straight. Then they set horses to draw it.

Fro the fairy was the owner, not only of the boar with the golden bristles, but also of the lightning-like horse, Sleipnir, that could ride through fire and water with the speed of light. Fro also owned the magic ship, which could navigate both land and sea. It was so very elastic that it could be stretched out to carry a host of warriors over the seas to war, or fold up like a lady's handkerchief. With this flying vessel, Fro was able to move about like a cloud and also to change like them. He could also appear, or disappear, as he pleased, in one place or another.

By and by, the wild boars were all hunted to death and disappeared. Yet in one way, and a glorious one also, their name and fame were kept in men's memories. Brave knights had the boar's head painted on their shields and coats of arms. When the faith of the Prince of Peace made wars less frequent, the temples in honor of Fro were deserted, but the yule log and the revels, held to celebrate the passing of the Mother Night, in December, that is, the longest one of the year, were changed for the Christmas festival.

Then again, the memory of man's teacher of the plough was still kept green; for the boar was remembered as the giver, not only of nourishing meat, but of ideas for men's brains. Baked in the oven, and made delightful to the appetite, served on the dish, with its own savory odors; withal, decorated with sprigs of rosemary, the boar's head was brought in for the great dinner, with the singing of Christmas carols.

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In the early ages, when our far-off ancestors lived in the woods, ate acorns, slept in caves, and dressed in the skins of wild animals, they had no horses, cows or cats. Their only pets and helpers were dogs. The men and the dogs were more like each other than they are now.

However, they knew about bees. So the women gathered honey and from it they made mead. Not having any sugar, the children enjoyed tasting honey more than anything else, and it was the only sweet thing they had.

By and by, cows were brought into the country and the Dutch soil being good for grass, the cows had plenty to eat. When these animals multiplied, the people drank milk and learned to make cheese and butter. So the Dutch boys and girls grew fat and healthy.

The oxen were so strong that they could pull logs of wood or draw a plough. So, little by little, the forests were cut down and grassy meadows, full of bright colored flowers, took their place. Houses were built and the people were rich and happy.

Yet there were still many cruel men and bad people in the land. Sometimes, too, floods came and drowned the cattle and covered the fields with sand, or salt water. In such times, food was very scarce. Thus it happened that not all the babies born could live, or every little child be fed. The baby girls especially were often left to die, because war was common and only boys, that grew into strong warriors, were wanted.

It grew to be a custom that families would hold a council and decide whether the baby should be raised or not. But if any one should give the infant even a tiny drop of milk, or food of any kind, it was allowed to live and grow up. If no one gave it milk or honey, it died. No matter how much a mother might love her baby, she was not allowed to put milk to its lips, if the grandmother or elders forbade it. The young bride, coming into her husband's home, always had to obey his mother, for she was now as a daughter and one of the family. All lived together in one house, and the grandmother ruled all the women and girls that were under one roof.

This was the way of the world, when our ancestors were pagans, and not always as kind to little babies as our own mothers and fathers are now. Many times was the old grandmother angry, when her son had taken a wife and a girl was born. If the old woman expected a grandson, who should grow up and be a fighter, with sword and spear, and it turned out to be a girl, she was mad as fire. Often the pretty bride, brought into the house, had a hard time of it, with her husband's mother, if she did not in time have a baby boy. In those days a "Herman," a "War Man" and "German" were one and the same word.

Now when the good missionaries came into Friesland, one of the first of the families to receive the gospel was one named Altfrid. With his bride, who also became a Christian, Altfrid helped the missionary to build a church. By and by, a sweet little baby was born in the family and the parents were very happy. They loved the little thing sent from God, as fathers and mothers love their children now.

But when some one went and told the pagan grandmother that the new baby was a girl instead of a boy, the old woman flew into a rage and would have gone at once to get hold of the baby and put it to death. Her lameness, however, made her move slowly, and she could not find her crutch; for the midwife, who knew the bad temper of the grandmother, had purposely hid it. The old woman was angry, because she did not want any more females in the big house, where she thought there were already too many mouths to fill. Food was hard to get, and there were not enough war men to defend the tribe. She meant to get the new baby and throw it to the wolves. The old grandmother was a pagan and still worshipped the cruel gods that loved fighting. She hated the new religion, because it taught gentleness and peace.

But the midwife, who was a neighbor, feared that the old woman was malicious and she had hid her crutch. This she did, so that if the baby was a girl, she could save its life. The midwife was a good woman, who had been taught that the Great Creator loves little girls as well as boys.

So when the midwife heard the grandmother storm and rave, while hunting for her crutch, she ran first to the honey jar, dipped her forefinger in it and put some drops of honey on the baby's tongue. Then she passed it out the window to some women friends, who were waiting outside. She knew the law, that if a child tasted food, it must be allowed to live.

The kind women took the baby to their home and fed it carefully. A hole was drilled in the small end of a cow's horn and the warm milk, fresh from the cow, was allowed to fall, drop by drop, into the baby's mouth. In a few days the little one was able to suck its breakfast slowly out of the horn, while one of the girls held it. So the baby grew bigger every day. All the time it was carefully hidden.

The foolish old grandmother was foiled, for she could never find out where the baby girl was, which all the time was growing strong and plump. Her father secretly made her a cradle and he and the babe's mother came often to see their child. Every one called her Honig-je', or Little Honey.

Now about this time, cats were brought into the country and the children made such pets of them that some of the cows seemed to be jealous of the attentions paid to Pussy and the kittens. These were the days when cows and people all lived under one long roof. The children learned to tell the time of day, whether it was morning, noon or night by looking into the cats' eyes. These seemed to open and shut, very much as if they had doors.

The fat pussy, which was brought into the house where Honig-je' was, seemed to be very fond of the little girl, and the two, the cat and the child, played much together. It was often said that the cat loved the baby even more than her own kittens. Every one called the affectionate animal by the nickname of Dub-belt-je', which means Little Double; because this puss was twice as loving as most cat mothers are. When her own furry little babies were very young, she carried them from one place to another in her mouth. But this way, of holding kittens, she never tried on the baby. She seemed to know better. Indeed, Dub-belt-je' often wondered why human babies were born so naked and helpless; for at an age when her kittens could feed themselves and run about and play with their tails and with each other, Honig-je' was not yet able to crawl.

But other dangers were in store for the little girl. One day, when the men were out hunting, and the women went to the woods to gather nuts and acorns, a great flood came. The waters washed away the houses, so that everything floated into the great river, and then down towards the sea.

What had, what would, become of our baby? So thought the parents of Honig-je', when they came back to find the houses swept away and no sign of their little daughter. Dub-belt-je' and her kittens, and all the cows, were gone too.

Now it had happened that when the flood came and the house crashed down, baby was sound asleep. The cat, leaving its kittens, that were now pretty well grown up, leaped up and on to the top of the cradle and the two floated off together. Pretty soon they found themselves left alone, with nothing in sight that was familiar, except one funny thing. That was a wooden shoe, in which was a fuzzy little yellow chicken hardly four days old. It had been playing in the shoe, when the floods came and swept it off from under the very beak of the old hen, that, with all her other chicks, was speedily drowned.

On and on, the raging flood bore baby and puss, until dark night came down. For hours more they drifted until, happily, the cradle was swept into an eddy in front of a village. There it spun round and round, and might soon have been borne into the greater flood, which seemed to roar louder as the waters rose.

Now a cat can see sometimes in the night, better even than in the day, for the darker it becomes, the wider open the eyes of puss. In bright sunshine, at noon, the inside doors of the cat's eyes close to a narrow slit, while at night these doors open wide. That is the reason why, in the days before clocks and watches were made, the children could tell about the time of day by looking at the cat's eyes. Sometimes they named their pussy Klok'-oog, which means Clock Eye, or Bell Eye, for bell clocks are older than clocks with a dial, and because in Holland the bells ring out the hours and quarter hours.

Puss looked up and saw the church tower looming up in the dark. At once she began to meouw and caterwaul with all her might. She hoped that some one in one of the houses near the river bank might catch the sound. But none seemed to hear or heed. At last, when Puss was nearly dead with howling, a light appeared at one of the windows. This showed that some one was up and moving. It was a boy, who was named Dirck, after the saint Theodoric, who had first, long ago, built a church in the village. Then Puss opened her mouth and lungs again and set up a regular cat-scream. This wakened all her other relatives in the village and every Tom and Kitty made answer, until there was a cat concert of meouws and caterwauls.

The boy heard, rushed down-stairs, and, opening the door, listened. The wind blew out his candle, but the brave lad was guided by the sound which Pussy made. Reaching the bank, he threw off his wooden klomps, plunged into the boiling waters, and, seizing the cradle, towed it ashore. Then he woke up his mother and showed her his prize. The way that baby laughed and crowed, and patted the horn of milk, and kicked up its toes in delight over the warm milk, which was brought, was a joy to see. Near the hearth, in the middle of the floor, Dub-belt-je', the puss, was given some straw for a bed and, after purring joyfully, was soon, like the baby, sound asleep.

Thus the cat warned the boy, and the boy saved the baby, that was very welcome in a family where there were no girls, but only a boy. When Honig-je' grew up to be a young woman, she looked as lovely as a princess and in the church was married to Dirck! It was the month of April and all the world was waking to flowers, when the wedding procession came out of the church and the air was sweet with the opening of the buds.

Before the next New Year's day arrived, there lay in the same cradle, and put to sleep over the same rockers, a baby boy. When they brought him to the font, the good grandmother named him Luid-i-ger. He grew up to be the great missionary, whose name in Friesland is, even today, after a thousand years, a household word. He it was who drove out bad fairies, vile enchanters, wicked spirits and terrible diseases. Best of all, he banished "eye-bite," which was the name the people gave to witchcraft. Luid-i-ger, also, made it hard for the naughty elves and sprites that delude men.

After this, it was easy for all the good spirits, that live in kind hearts and noble lives, to multiply and prosper. The wolves were driven away or killed off and became very few, while the cattle and sheep multiplied, until everybody could have a woollen coat, and there was a cow to every person in the land.

But the people still suffered from the floods, that from time to time drowned the cattle and human beings, and the ebb tides, that carried everything out to sea. Then the good missionary taught the men how to build dykes, that kept out the ocean and made the water of the rivers stay between the banks. The floods became fewer and fewer and at last rarely happened. Then Santa Klaas arrived, to keep alive in the hearts of the people the spirit of love and kindness and good cheer forever.

At last, when nearly a hundred years had passed away, Honig-je', once the girl baby, and then the dear old lady, who was kind to everybody and prepared the way for Santa Klaas, died. Then, also, Dub-belt-je' the cat, that had nine lives in one, died with her. They buried the old lady under the church floor and stuffed the pussy that everybody, kittens, boys, girls and people loved. By and by, when the cat's tail and fur fell to pieces, and ears tumbled off, and its glass eyes dropped out, a skilful artist chiselled a statue of Dub-belt-je', which still stands over the tomb in the church. Every year, on Santa Klaas day, December sixth, the children put a new collar around its neck and talk about the cat that saved a baby's life.

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Long, long ago, before ever a blue flax-flower bloomed in Holland, and when Dutch mothers wore wolf-skin clothes, there was a little princess, very much beloved by her father, who was a great king, or war chief. She was very pretty and fond of seeing herself. There were no metal mirrors in those days, nor any looking glass. So she went into the woods and before the pools and the deep, quiet watercourses, made reflection of her own lovely face. Of this pleasure she never seemed weary.

Yet sometimes this little princess was very naughty. Then her temper was not nearly so sweet as her face. She would play in the sand and roll around in the woods among the leaves and bushes until her curls were all tangled up. When her nurse combed out her hair with a stone comb--for no other kinds were then known--she would fret and scold and often stamp her foot. When very angry, she called her nurse or governess an "aurochs,"—a big beast like a buffalo. At this, the maid put up her hands to her face. "Me—an aurochs! Horrible!" Then she would feel her forehead to see if horns were growing there.

The nurse—they called her "governess," as the years went on—grew tired of the behavior of the bad young princess. Sometimes she went and told her mother how naughty her daughter was, even to calling her an aurochs. Then the little girl only showed her bad temper worse. She rolled among the leaves all the more and mussed up her ringlets, so that the governess could hardly comb them out smooth again.

It seemed useless to punish the perverse little maid by boxing her ears, pinching her arm, or giving her a good spanking. They even tried to improve her temper by taking away her dinner, but it did no good.

Then the governess and mother went together to her father. When they complained of his daughter to the king, he was much worried. He could fight strong men with his club and spear, and even giants with his sword and battle-axe; but how to correct his little daughter, whom he loved as his own eyes, was too much for him. He had no son and the princess was his only child, and the hopes of the family all rested on her. The king wondered how she would govern his people, after he should die, and she became the queen. Yet he was glad for one thing: that, with all her naughtiness, she was, like her father, always kind to animals. Her pet was a little aurochs calf. Some hunters had killed the mother of the poor little thing in winter time. So the princess kept the creature warm and it fed out of her hand daily.

It was in gloom and with a sad face that the king walked in the woods, thinking how to make a sweet-tempered lady out of his petulant daughter, who was fast growing up to be a tall, fine-looking woman.

Now when the king had been himself a little boy, he was very kind to all living creatures, wild and tame, dumb and with voice—yes, even to the trees in the forest. When a prince, the boy would never let the axe men cut down an oak until they first begged pardon of the fairy that lived in the tree.

There was one big oak, especially, which was near the mansion of his father, the king. It was said that the doctors found little babies in its leafy branches, and brought them to their mothers. The prince-boy took great care of this tree. He was taught by a wise man to cut off the dead limbs, keep off the worms, and warn away all people seeking to break off branches—even for Yule-tide, which came at our Christmas time.

Once when some hunters had chased a young she-aurochs, with her two calves, into the king's park, the prince, though he was then only a boy, ran out and drove the rough fellows away. Then he sheltered and fed the aurochs family of three, until they were fresh and fat. After this he sent a skilled hunter to imitate the sound of an aurochs mother, to call the aurochs father to the edge of the woods. He then let them all go free, and was happy to see the dumb brutes frisking together.

Now that the boy-prince was grown to be a man and had long been king, and had forgotten all about the incident of his earlier years, he was one day walking in the forest.

Suddenly a gentle breeze arose and the leaves of the old oak tree began first to rustle and then to whisper. Soon the words were clear, and the spirit in the oak said:

"I have seen a thousand years pass by, since I was an acorn planted here. In a few moments I shall die and fall down. Cut my body into staves. Of these make a wooden petticoat, like a barrel, for your daughter. When her temper is bad, let her put it on and wear it until she promises to be good."

The king was sad at the thought of losing the grand old tree, under which he had played as a boy and his fathers before him. His countenance fell.

"Cheer up, my friend," said the oak, "for something better shall follow. When I pass away, you will find on this spot a blue flower growing. Where the forest was shall be fields, on which the sun shines. Then, if your daughter be good, young women shall spin something prettier than wooden petticoats. Watch for the blue flower. Moreover," added the voice of the tree, "that I may not be forgotten, do you take, henceforth, as your family name Ten Eyck" (which, in Dutch, means "at the oak ").

At this moment, a huge aurochs rushed into the wood. Its long hair and shaggy mane were gray with age. The king, thinking the beast would lower his horns and charge at him, drew his sword to fight the mighty brute that seemed to weigh well-nigh a ton.

But the aurochs stopped within ten feet of the king and bellowed; but, in a minute or two, the bellowing changed to a voice and the king heard these good words:

"I die with the oak, for we are brothers, kept under an enchantment for a thousand years, which is to end in a few moments. Neither a tree nor an aurochs can forget your kindness to us, when you were a prince. As soon as our spirits are released, and we both go back to our home in the moon, saw off my right horn and make of it a comb for use on your daughter's curls. It will be smoother than stone."

In a moment a tempest arose, which drove the king for shelter behind some rocks hard by. After a few minutes, the wind ceased and the sky was clear. The king looked and there lay the oak, fallen at full length, and the aurochs lay lifeless beside it.

Just then, the king's woodmen, who were out—thinking their master might be hurt—drew near. He ordered them to take out the right horn of the aurochs and to split up part of the oak for slaves. The next day, they made a wooden petticoat and a horn comb. They were such novelties that nearly every woman in the kingdom came to see them.

After this, the king called himself the Lord of the Land of Ten Eyck, and ever after this was his family name, which all his descendants bore. Whenever the princess showed bad temper, she was forced to wear the wooden petticoat. To have the boys and girls point at her and make fun of her was severe punishment.

But a curious thing took place. It was found that every time the maid combed the hair of the princess she became gentler and more sweet tempered. She often thanked her governess and said she liked to have her curls smoothed with the new comb. She even begged her father to let her own one and have the comb all to herself. It was not long before she surprised her governess and her parents by combing and curling her own hair. In truth, such a wonderful change came over the princess that she did not often have to wear the wooden petticoat, and after a year or two, not at all. So the gossips nearly forgot all about it.

One summer's day, as the princess was walking in the open, sunny space, where the old oak had stood, she saw a blue flower. It seemed as beautiful as it was strange. She plucked it and put it in her hair. When she reached home, her old aunt, who had been in southern lands, declared it to be the flower of the flax.

During that spring, millions of tiny green blades sprang up where the forest had been, and when summer came, the plants were half a yard high. The women learned how to put the stalks in water and rot the coarse, outer fibre of the flax. Then they took the silk-like strands from the inside and spun them on their spinning-wheels. Then they wove them into pretty cloth.

This, when laid out on the grass, under the sunshine, was bleached white. The flax thread was made first into linen, and then into lace.

"Let us name the place Groen-e'-veld" (Green Field), the happy people cried, when they saw how green the earth was where had been the dark forest. So the place was ever after called the Green Field.

Now when the princess saw what pretty clothes the snow white linen made, she invented a new style of dress. The upper garment, or "rok," that is, the one above the waist, she called the "boven rok" and the lower one, beneath the waist, her "beneden rok." In Dutch "boven" means above and "beneden" means beneath. By and by, when, at the looms, more of the beautiful white linen was woven, she had a new petticoat made and put it on. She was so delighted with this one that she wanted more. One after the other, she belted them around her waist, until she had on twenty petticoats at a time. Proud she was of her skirts, even though they made her look like a barrel. When her mother, and maids, and all the women of Groen-é-veld, young and old, saw the princess set the fashion, they all followed. It was not always easy for poor girls, who were to be married, to buy as many as twenty petticoats. But, as it was the fashion, every bride had to obey the rule. It grew to be the custom to have at least twenty; for only this number was thought proper.

So, a new rule, even among the men, grew up. A betrothed young man, or his female relatives assisting him, was accustomed to make a present of one or more petticoats to his sweetheart to increase her wardrobe.

Thus the fashion prevailed and still holds among the women of the coast. Fat or thin, tall or short, they pile on the petticoats and swing their skirts proudly as they walk or go to market, sell their fish, cry "fresh herring" in the streets, or do their knitting at home, or in front of their houses. In some parts of the country, nothing makes a girl so happy as to present her with a new petticoat. It is the fashion to have a figure like a barrel and wear one's clothes so as to look like a small hogshead.

By and by, the men built a dam to get plenty of water in winter for the rotting of the flax stalks. The linen industry made the people rich. In time, a city sprang up, which they called Rotterdam, or the dam where they rotted the flax.

And, because where had been a forest of oaks, with the pool and rivulet, there was now a silvery stream flowing gently between verdant meadows, they made the arms and seal of the city green and white, two of the former and one of the latter; that is, verdure and silver. To this day, on the arms and flags of the great city, and on the high smoke-stacks of the mighty steamers that cross the ocean, from land to land, one sees the wide, white band between the two broad stripes of green.

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The elves are the little white creatures that live between heaven and earth. They are not in the clouds, nor down in the caves and mines, like the kabouters. They are bright and fair, dwelling in the air, and in the world of light. The direct heat of the sun is usually too much for them, so they are not often seen during the day, except towards sunset. They love the silvery moonlight. There used to be many folks, who thought they had seen the beautiful creatures, full of fun and joy, dancing hand in hand, in a circle.

In these old days, long since gone by, there were more people than there are now, who were sure they had many times enjoyed the sight of the elves. Some places in Holland show, by their names, where this kind of fairies used to live. These little creatures, that looked as thin as gauze, were very lively and mischievous, though they often helped honest and hard working people in their tasks, as we shall see. But first and most of all, they were fond of fun. They loved to vex cross people and to please those who were bonnie and blithe. They hated misers, but they loved the kind and generous. These little folks usually took their pleasure in the grassy meadows, among the flowers and butterflies. On bright nights they played among the moonbeams.

There were certain times when the elves were busy, in such a way as to make men and girls think about them. Then their tricks were generally in the stable, or in the field among the cows. Sometimes, in the kitchen or dairy, among the dishes or milk-pans, they made an awful mess for the maids to clean up. They tumbled over the churns, upset the milk jugs, and played hoops with the round cheeses. In a bedroom they made things look as if the pigs had run over them.

When a farmer found his horse's mane twisted into knots, or two cows with their tails tied together, he said at once, "That's the work of elves." If the mares did not feel well, or looked untidy, their owners were sure the elves had taken the animals out and had been riding them all night. If a cow was sick, or fell down on the grass, it was believed that the elves had shot an arrow into its body. The inquest, held on many a dead calf or its mother, was, that it died from an "elf-shot." They were so sure of this, that even when a stone arrow head—such as our far-off ancestors used in hunting, when they were cave men—was picked up off the ground, it was called an "elf bolt," or "elf-arrow."

Near a certain village named Elf-berg or Elf Hill, because there were so many of the little people in that neighborhood, there was one very old elf, named Styf, which means Stiff, because though so old he stood up straight as a lance. Even more than the young elves, he was famous for his pranks. Sometimes he was nicknamed Haan-e'-kam or Cock's Comb. He got this name, because he loved to mock the roosters, when they crowed, early in the morning. With his red cap on, he did look like a rooster. Sometimes he fooled the hens, that heard him crowing.

Old Styf loved nothing better than to go to a house where was a party indoors. All the wooden shoes of the twenty or thirty people within, men and women, girls and boys, would be left outside the door. All good Dutch folks step out of their heavy timber shoes, or klomps, before they enter a house. It is always a curious sight, at a country church, or gathering of people at a party, to see the klomps, big and little, belonging to baby boys and girls, and to the big men, who wear a number thirteen shoe of wood. One wonders how each one of the owners knows his own, but he does. Each pair is put in its own place, but Old Styf would come and mix them all up together, and then leave them in a pile. So when the people came out to go home, they had a terrible time in finding and sorting out their shoes. Often they scolded each other; or, some innocent boy was blamed for the mischief. Some did not find out, till the next day, that they had on one foot their own, and on another foot, their neighbor's shoe. It usually took a week to get the klomps sorted out, exchanged, and the proper feet into the right shoes. In this way, which was a special trick with him, this naughty elf, Styf, spoiled the temper of many people.

Beside the meadow elves, there were other kinds in Elfin Land; some living in the woods, some in the sand-dunes, but those called Staalkaars, or elves of the stall, were Old Styf's particular friends. These lived in stables and among the cows. The Moss Maidens, that could do anything with leaves, even turning them into money, helped Styf, for they too liked mischief. They teased men-folks, and enjoyed nothing better than misleading the stupid fellows that fuddled their brains with too much liquor.

Styf's especially famous trick was played on misers. It was this. When he heard of any old fellow, who wanted to save the cost of candles, he would get a kabouter to lead him off in the swamps, where the sooty elves come out, on dark nights, to dance. Hoping to catch these lights and use them for candles, the mean fellow would find himself in a swamp, full of water and chilled to the marrow. Then the kabouters would laugh loudly.

Old Styf had the most fun with another stingy fellow, who always scolded children when he found them spending a penny. If he saw a girl buying flowers, or a boy giving a copper coin for a waffle, he talked roughly to them for wasting money. Meeting this miser one day, as he was walking along the brick road, leading from the village, Styf offered to pay the old man a thousand guilders, in exchange for four striped tulips, that grew in his garden. The miser, thinking it real silver, eagerly took the money and put it away in his iron strong box. The next night, when he went, as he did three times a week, to count, and feel, and rub, and gloat, over his cash, there was nothing but leaves in a round form. These, at his touch, crumbled to pieces. The Moss Maidens laughed uproariously, when the mean old fellow was mad about it.

But let no one suppose that the elves, because they were smarter than stupid human beings, were always in mischief. No, no! They did, indeed, have far more intelligence than dull grown folks, lazy boys, or careless girls; but many good things they did. They sewed shoes for poor cobblers, when they were sick, and made clothes for children, when the mother was tired. When they were around, the butter came quick in the churn.

When the blue flower of the flax bloomed in Holland, the earth, in spring time, seemed like the sky. Old Styf then saw his opportunity to do a good thing. Men thought it a great affair to have even coarse linen tow for clothes. No longer need they hunt the wolf and deer in the forest, for their garments. By degrees, they learned to make finer stuff, both linen for clothes and sails for ships, and this fabric they spread out on the grass until the cloth was well bleached. When taken up, it was white as the summer clouds that sailed in the blue sky. All the world admired the product, and soon the word "Holland" was less the name of a country, than of a dainty fabric, so snow white, that it was fit to robe a queen. The world wanted more and more of it, and the Dutch linen weaver grew rich. Yet still there was more to come.

Now, on one moonlight night in summer, the lady elves, beautiful creatures, dressed in gauze and film, with wings to fly and with feet that made no sound, came down into the meadows for their fairy dances. But when, instead of green grass, they saw a white landscape, they wondered, Was it winter?

Surely not, for the air was warm. No one shivered, or was cold. Yet there were whole acres as white as snow, while all the old fairy rings, grass and flowers were hidden.

They found that the meadows had become bleaching grounds, so that the cows had to go elsewhere to get their dinner, and that this white area was all linen. However, they quickly got over their surprise, for elves are very quick to notice things. But now that men had stolen a march on them, they asked whether, after all, these human beings had more intelligence than elves. Not one of these fairies but believed that men and women were the inferiors of elves.

So, then and there, began a battle of wits.

"They have spoiled our dancing floor with their new invention; so we shall have to find another," said the elfin queen, who led the party.

"They are very proud of their linen, these men are; but, without the spider to teach them, what could they have done? Even a wild boar can instruct these human beings. Let us show them, that we, also, can do even more. I'll get Old Styf to put on his thinking cap. He'll add something new that will make them prouder yet."

"But we shall get the glory of it," the elves shouted in chorus. Then they left off talking and began their dances, floating in the air, until they looked, from a distance, like a wreath of stars.

The next day, a procession of lovely elf maidens and mothers waited on Styf and asked him to devise something that would excel the invention of linen; which, after all, men had learned from the spider.

"Yes, and they would not have any grain fields, if they had not learned from the wild boar," added the elf queen.

Old Styf answered "yes" at once to their request, and put on his red thinking cap. Then some of the girl elves giggled, for they saw that he did, really, look like a cock's comb. "No wonder they called him Haan-e'-kam," said one elf girl to the other.

Now Old Styf enjoyed fooling, just for the fun of it, and he taught all the younger elves that those who did the most work with their hands and head, would have the most fun when they were old.

First of all, he went at once to see Fro, the spirit of the golden sunshine and the warm summer showers, who owned two of the most wonderful things in the world. One was his sword, which, as soon as it was drawn out of its sheath, against wicked enemies, fought of its own accord and won every battle. Fro's chief enemies were the frost giants, who wilted the flowers and blasted the plants useful to man. Fro was absent, when Styf came, but his wife promised he would come next day, which he did. He was happy to meet all the elves and fairies, and they, in turn, joyfully did whatever he told them. Fro knew all the secrets of the grain fields, for he could see what was in every kernel of both the stalks and the ripe ears. He arrived, in a golden chariot, drawn by his wild boar which served him instead of a horse. Both chariot and boar drove over the tops of the ears of wheat, and faster than the wind.

The Boar was named Gullin, or Golden Bristles because of its sunshiny color and splendor. In this chariot, Fro had specimens of all the grains, fruits, and vegetables known to man, from which Styf could choose, for these he was accustomed to scatter over the earth.

When Styf told him just what he wanted to do, Fro picked out a sheaf of wheat and whispered a secret in his ear. Then he drove away, in a burst of golden glory, which dazzled even the elves, that loved the bright sunshine. These elves were always glad to see the golden chariot coming or passing by.

Styf also summoned to his aid the kabouters, and, from these ugly little fellows, got some useful hints; for they, dwelling in the dark caverns, know many secrets which men used to name alchemy, and which they now call chemistry.

Then Styf fenced himself off from all intruders, on the top of a bright, sunny hilltop, with his thinking cap on and made experiments for seven days. No elves, except his servants, were allowed to see him. At the end of a week, still keeping his secret and having instructed a dozen or so of the elf girls in his new art, he invited all the elves in the Low Countries to come to a great exhibition, which he intended to give.

What a funny show it was! On one long bench, were half a dozen washtubs; and on a table, near by, were a dozen more washtubs; and on a longer table not far away were six ironing boards, with smoothing irons. A stove, made hot with a peat fire, was to heat the irons. Behind the tubs and tables, stood the twelve elf maidens, all arrayed in shining white garments and caps, as spotless as snow. One might almost think they were white elves of the meadow and not kabouters of the mines. The wonder was that their linen clothes were not only as dainty as stars, but that they glistened, as if they had laid on the ground during a hoar frost.

Yet it was still warm summer. Nothing had frozen, or melted, and the rosy-faced elf-maidens were as dry as an ivory fan. Yet they resembled the lilies of the garden when pearly with dew-drops.

When all were gathered together, Old Styf called for some of the company, who had come from afar, to take off their dusty and travel-stained linen garments and give them to him. These were passed over to the trained girls waiting to receive them. In a jiffy, they were washed, wrung out, rinsed and dried. It was noticed that those elf-maidens, who were standing at the last tub, were intently expecting to do something great, while those five elf maids at the table took off the hot irons from the stove. They touched the bottom of the flat-irons with a drop of water to see if it rolled off hissing. They kept their eyes fixed on Styf, who now came forward before all and said, in a loud voice:

"Elves and fairies, moss maidens and stall sprites, one and all, behold our invention, which our great friend Fro and our no less helpful friends, the kabouters, have helped me to produce. Now watch me prove its virtues."

Forthwith he produced before all a glistening substance, partly in powder, and partly in square lumps, as white as chalk. He easily broke up a handful under his fingers, and flung it into the fifth tub, which had hot water in it. After dipping the washed garments in the white gummy mass, he took them up, wrung them out, dried them with his breath, and then handed them to the elf ironers. In a few moments, these held up, before the company, what a few minutes before had been only dusty and stained clothes. Now, they were white and resplendent. No fuller's earth could have bleached them thus, nor added so glistening a surface.

It was starch, a new thing for clothes. The fairies, one and all, clapped their hands in delight.

"What shall we name it?" modestly asked Styf of the oldest gnome present.

"Hereafter, we shall call you Styf Sterk, Stiff Starch." They all laughed.

Very quickly did the Dutch folks, men and women, hear and make use of the elves' invention. Their linen closets now looked like piles of snow. All over the Low Countries, women made caps, in new fashions, of lace or plain linen, with horns and wings, flaps and crimps, with quilling and with whirligigs. Soon, in every town, one could read the sign "Hier mangled men" (Here we do ironing).

In time, kings, queens and nobles made huge ruffs, often so big that their necks were invisible, and their heads nearly lost from sight, in rings of quilled linen, or of lace, that stuck out a foot or so. Worldly people dyed their starch yellow; zealous folk made it blue; but moderate people kept it snowy white.

Starch added money and riches to the nation. Kings' treasuries became fat with money gained by taxes laid on ruffs, and on the cargoes of starch, which was now imported by the shipload, or made on the spot, in many countries. So, out of the ancient grain came a new spirit that worked for sweetness and beauty, cleanliness, and health. From a useful substance, as old as Egypt, was born a fine art, that added to the sum of the world's wealth and pleasure.

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